The Wooster Group’s
A Pink Chair (in Place of a Fake Antique) suggests what it might have been like to watch a ghost materialize on stage, called up by an early-twentieth-century medium. The ghostly presence summoned here is that of Tadeusz Kantor (1915–1990), the celebrated director and performance artist who profoundly affected modern theater, both in his native Poland and the wider world. Kantor’s history haunts
A Pink Chair, which extracts the high points from his play, together with selections from his writings, read aloud.
