‘Barbie’ review: A doll’s life is richly, unexpectedly imagined by Greta Gerwig and Margot Robbie
“Barbie” is a lovely, eccentrically imaginative example of brand extension and raw, untrammeled commercialism. Well, maybe a little trammeled. Any $145 million studio movie based on a doll, accessories sold separately, no doubt comes with a few restrictions. And yet this one actually feels spontaneous, and fun. Co-writer and director Greta Gerwig’s project — her third consecutive success behind the camera following ”Lady Bird” (2017) and “Little Women” (2019) — has its merry, thoughtful way with everything Mattel’s implacable smiler in high heels has meant, pro or con, to millions. The toy com...