It should be, and is, possible to graciously accept genuine love and respect from the West - and the consequent financial benefits - without being servile in our responses, without forgetting the condemnable colonial histories and present-day realities that have contributed to those countries' clout, without tailoring our cinema to pander to the Western gaze, and, as critics and viewers, without being oblivious to the truth that some creators and performers do (or are compelled to do) precisely that to solicit funds from Western agencies, or win easy appeal among cinephiles in those parts of the globe.
