The Apocalypse According to “The Leftovers”
In 1966, at an event protesting the Vietnam War, Anne Sexton read, in a quiet voice, “Little Girl, My Stringbean, My Lovely Woman,” a meditation on her daughter’s eleven-year-old body. As Adrienne Rich recalled it, Sexton’s poem stood out from the men’s “diatribes against McNamara, their napalm poems, their ego-poetry.” By evoking, indirectly, war’s victims, the poem reframed the question of what makes art political.