The New New Wave of European Crime Drama on Netflix
In 2013, Lauren Collins published a piece in the New Yorker called “Danish Postmodern” about the sudden blooming of British people’s love for Danish television, which then showed how the tendrils of this cultural phenomenon were also reaching into America. After the tremendous success of The Girl with the Dragon Tattoo, Collins reported, Denmark’s public-service broadcaster DR produced the now-legendary crime dramas The Killing and The Bridge, and the political thriller Borgen. These first two were remade into inferior American adaptions... Читать дальше...