Good Time Is a Brilliantly Grim New York Thriller
It was hard not to draw a couple of conclusions about current cinema from the 1970s New York program on at Film Forum last month: that the gentrification of the city has been accompanied by a gentrification of filmmaking styles; and that the New York-based thriller has undergone a sharp decline. The New York of The French Connection and Klute is still with us—the architecture and the elevated train rails, if less of the street signage and none of the old-model cars—but it tends to be omitted onscreen... Читать дальше...